(30-11-2015 22:50 )Champion Wrote: These are interesting times on the channel.
I got a feeling that the nightshows are going to be run on skeleton production staff and babe rosters pretty much from now on...
The only way to save the nightshows is to find a way to innovate and work the cams to a similar good effect but it is hard to see how it is achievable without making the shows the same format over the whole 24 hour cycle...
All that you say is true.
66 do indeed have the problem of how to make their pervecams work on nights as this looks the only way that they can improve things - what with recruitment opportunities for new babes seemingly so limited.
Some good stuff has been achieved on perve at nights I think but the specific difficulty they have is in
sustaining those sequences.
Cam veterans please forgive the indulgence but I think it's worth outlining the exact issues for the uninitiated here:
Good perve cam angles can be produced on the post 10 o'clock shows; ones which show plenty more than would be allowed on TV whilst still satisfying the requirements of the TV feed, but these can not be pulled off very easily in any great consecutive sequence as things are at the moment as all too often the webcam remains too stationary whilst the babe is busy elsewhere.
Earlier in the day, the generally static nature of the day shows actually helps the babes on perve. They are able to hide what they are doing/showing from the TV viewer for extended periods whilst still maintaining the vital eye contact, relationship with main camera, etc. (At least that's how it should be done!)
Nights babes don't (shouldn't) have that luxury. Here it's an even more precarious balancing act to play to both audiences successfully. The necessity to 'put on a show' on nights mandates a movement for the main camera that hinders the girl's ability to hide what they are showing on perve for very long without making the main TV caller's view particularly dull (very risky for the all-important revenue). Crucially, on cam the girl needs to build an audience over time by what they are doing/showing. The girl can then riff off/play to her audience. The best camming sessions then become a two-way experience. This feedback and the crowd 'in' the cam being the element that stops these shows from petering out with a bored girl and a forgotten unattended lens pointing at a badly painted bit of set for 45 minutes until the cleaner unplugs the laptop for her Henry!
The obvious answer is that the night girls need some behind the scenes help on perve. There are signs that 66 are slowly cottoning on to this (or at least are finally prepared to do something about it). Personally, I can only think that there has been a reluctance all-round to see the necessity of cams on nights there. Plus, you know how it is in a workplace when no-one wants to take on that extra job! In this case, all that's required of, presumably, the cameraman or whoever (any bugger really), is needing to monitor and move the bloody thing (yes
every god-damn time) the girl shifts out of range. (Babes on 'standing sets' will probably need more help than those on beds and such. So that not good news if you don't like bed sets and you think that they'll be looking to minimise the workload!
)
Hopefully everyone on nights at 66 has now woken up to the fact that they need these cams. They are now not going away any time soon. They are the future of this industry in one form or another. Like it or not.
Babe shows, like lots of other industries in the past, have got to adapt to survive. It looks like this one has been a reality check for some at 66. It might just yet save their bacon.