Rogue One : A Star Wars story
I'll hold my hands up here and say I was in no way in a rush to see this, and ended up just watching it because it was on the TV right there (in amongst all the other Star Wars films), so it's fair to say I was going in predisposed not to like it.
I had not read up about it but did know (impossible to avoid) that it was basically about stealing the plans for the Death Star pre-original Star Wars.
I guess the problems I have with these endless Star Wars prequels and sequels are twofold : the repetition and the tone.
This particular one suffers from the same problems as Ep 3 : because it's firmly located in an "arc" there's only one way it can end. Which means you're watching it purely to see how you know what's going to happen happens.
Death Star again.
OK, the saving grace the final act spaceship battle isn't actually an attack on it (for once
presumably somebody realised that doing that for 3 out of 7 films was starting it to push it a bit
), but it might just as well be.
Just how many rebel ships are supposed to have got through that protective shield exactly in the less than thirty seconds they have before it closes?
Certainly less than are seen zooming around the surface later.
The original Star Wars was a frothy feel-good comic book movie (
despite being made in the 70s, which as history records, were the decade of doom and dystopia : just look at all the other sci-fi made then) that knew it was a fairy story and happily plundered westerns, WWII movies, fantasy genres and stuffed them all into a "futuristic" space setting .
But now even comic book movies are the antithesis of cheery and feel-good. Pretty much since Tim Burton's Batman they now all have to be grim dystopian affairs where all the "heroes" are all flawed, nobody is on the "right" side, and we might as well all slit our wrists.
All these Star Wars prequels are equally determined to be "dark" and aspiring to Shakespearean tragedy (because of a fanboy consensus that "Empire" was the best film, again supposedly because it was "dark" - ignoring the fact that Empire is structurally a mess, putting the big battle at the beginning and then becoming just a bit of a run-about chase, punctuated by longeurs where the hero talks to a muppet for long periods).
What's wrong with a film where goodies are goodies and baddies are baddies ? (And the "goodies" don't all have to get killed ?)